{"id":68,"date":"2023-07-15T10:37:33","date_gmt":"2023-07-15T08:37:33","guid":{"rendered":"https:\/\/vairelegrand.fr\/?page_id=68"},"modified":"2023-08-11T15:53:33","modified_gmt":"2023-08-11T13:53:33","slug":"architecture","status":"publish","type":"page","link":"https:\/\/vairelegrand.fr\/index.php\/architecture\/","title":{"rendered":"Architecture"},"content":{"rendered":"\n
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\nEn 1671 les arts dans leur ensemble furent codifi\u00e9s ; Versailles devint le mod\u00e8le dont l\u2019Europe s\u2019inspira.<\/b> A la fin du r\u00e8gne de Louis XIV, les commanditaires aspirent \u00e0 se faire \u00e9difier des demeures moins rigides. Vont na\u00eetre alors, des constructions d\u2019un genre nouveau, qui tendent vers une simplicit\u00e9 et un classicisme ; des ch\u00e2teaux aux champs ouverts sur la nature o\u00f9 les notions de confort et de commodit\u00e9 apparaissent.\n
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\nClaude Boisot intendant des fortifications de Franche-Comt\u00e9 alors espagnole aida Louis XIV dans sa conqu\u00eate. En 1702 son fils Gabriel Premier Pr\u00e9sident au Parlement de Franche-Comt\u00e9, oeil et bras du roi, est anobli apr\u00e8s avoir obtenu de Louis XIV, le droit d’achat de la baronnie de Vaire. Les conditions dans lesquelles furent entreprises les travaux du ch\u00e2teau de Vaire nous sont inconnues. Lorsque Gabriel Boisot acheta la baronnie, le ch\u00e2teau fort \u00e9tait en ruine, mais il existait encore une maison forte (actuel pavillon de gauche) dans laquelle il logea.\n
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\nSon fils Jean-Antoine Boisot, premier pr\u00e9sident \u00e0 la suite de son p\u00e8re, et gr\u00e2ce \u00e0 la dot de son \u00e9pouse, Mademoiselle Heuslin, fille d\u2019un receveur g\u00e9n\u00e9ral des finances, fit construire le ch\u00e2teau classique actuel. <\/b>\n
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\nIl fit construire une tuilerie situ\u00e9e sur Vaire-le-petit afin de pouvoir couvrir ses toitures\u00a0; des tuiles seront fournies \u00e9galement pour couvrir certaines parties des toitures de la Citadelle de Besan\u00e7on construite pas Vauban. La date de 1713, inscrite sous le fronton de la fa\u00e7ade Est du ch\u00e2teau, marque le d\u00e9but des travaux.\n
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\nEn outre, un acte pass\u00e9 devant notaire concernant la chapelle du ch\u00e2teau nous indique que la d\u00e9coration int\u00e9rieure du ch\u00e2teau \u00e9tait termin\u00e9e en juillet 1718<\/b> ; puisqu\u2019il est mentionn\u00e9 que la chapelle est suffisamment orn\u00e9e pour y c\u00e9l\u00e9brer le saint sacrifice de la messe.\n
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\nA cette date, il faisait am\u00e9nager un jardin \u00e0 la fran\u00e7aise compos\u00e9 de parterres, d\u2019all\u00e9es, de bosquets… Il f\u00fbt l\u2019un des premiers \u00e0 construire en Franche Comt\u00e9 une demeure de ce style.<\/b> Vivant \u00e0 l\u2019heure parisienne s\u2019y fournissant souvent, il a, par cette construction fait preuve d\u2019 avant-gardisme. Inspir\u00e9 directement du ch\u00e2teau de Champs-sur-Marne \u00e9difi\u00e9 pour la Pompadour, le ch\u00e2teau se pr\u00e9sente sous la forme d\u2019un plan mass\u00e9, rectangulaire, compos\u00e9 d\u2019un corps de logis simple, ouvert sur la nature. Le hall d\u2019entr\u00e9e<\/b> dont les grandes portes louis XIV sont surmont\u00e9es de frontons, ouvre sur le salon polygonal orn\u00e9 d\u2019un po\u00eale<\/b> strasbourgeois en fa\u00efence XVIII\u00e8me. Un salon Louis XVI<\/b> pr\u00e9sente une grande biblioth\u00e8que, deux miroirs d\u2019\u00e9poque mis face \u00e0 face afin d\u2019illuminer les int\u00e9rieurs et de cr\u00e9er l\u2019impression d\u2019infini, des boiseries Louis XVI. Il ouvre sur une salle \u00e0 manger<\/b> d\u00e9cor\u00e9e de deux niches qui pr\u00e9sentent les commodit\u00e9s de l\u2019\u00e9poque : po\u00eale en fa\u00efence et fontaine. Dans la chambre du Premier Pr\u00e9sident<\/b> un lit \u00e0 la polonaise occupe le centre de l\u2019alc\u00f4ve, flanqu\u00e9 de quatre colonnes en stuc peint. Enfin, deux boudoirs<\/b> am\u00e9nag\u00e9s de part et d\u2019autre du corps de logis offrent intimit\u00e9 et raffinement par leur d\u00e9cor pour l\u2019un : boiseries Louis XVI orn\u00e9es de sc\u00e8nes champ\u00eatres r\u00e9alis\u00e9es en cama\u00efeux roses, pour le second, boiseries en ch\u00eane Louis XV, d\u2019\u00e9poque rocaille, surmont\u00e9es de troph\u00e9es.\n<\/p>\n<\/div>\n\n\n\n

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En haut \u00e0 gauche :<\/strong> Chambre \u00e0 coucher du premier pr\u00e9sident du parlement de Besan\u00e7on. Son parquet \u00e0 la Versailles et ses boiseries sont d’origine.<\/p>\n\n\n\n

En haut \u00e0 droite :<\/strong> D\u00e9tail de la salle \u00e0 manger. Chemin de table \u00e9voquant un jardin.<\/p>\n\n\n\n

En bas \u00e0 gauche :<\/strong> Salle \u00e0 manger r\u00e9alis\u00e9e en 1770 par Claude Antoine Colombot, architecte bisontin ayant fait ses \u00e9tudes \u00e0 Paris.<\/p>\n\n\n\n

En bas \u00e0 droite :<\/strong> Salon Louis XVI. Le Linteau de la chemin\u00e9e en marbre de carrare reprend les motifs des boiseries.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

En 1671 les arts dans leur ensemble furent codifi\u00e9s ; Versailles devint le mod\u00e8le dont l\u2019Europe s\u2019inspira. A la fin du r\u00e8gne de Louis XIV, les commanditaires aspirent \u00e0 se faire \u00e9difier des demeures moins rigides. Vont na\u00eetre alors, des constructions d\u2019un genre nouveau, qui tendent vers une simplicit\u00e9 et un classicisme ; des ch\u00e2teaux… <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-68","page","type-page","status-publish","hentry"],"yoast_head":"\nArchitecture - Chateau de Vaire le Grand<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vairelegrand.fr\/index.php\/architecture\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Architecture - Chateau de Vaire le Grand\" \/>\n<meta property=\"og:description\" content=\"En 1671 les arts dans leur ensemble furent codifi\u00e9s ; Versailles devint le mod\u00e8le dont l\u2019Europe s\u2019inspira. 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